Tuesday, August 30, 2016

'Chowgule Conversations' with Directors' Diaries. @ Parvatibai Chowgule College, Margao, Goa.

'Chowgule Conversations' with Directors' Diaries.
@ Parvatibai Chowgule College, Margao, Goa.

Thank you Dr. Sawant, Sir Andrew Barreto, Annalise Benjamin and her awesome team for the opportunity to speak to your media students about #DirectorsDiaries & filmmaking. 󾍛

I felt enriched meeting your enthu media students. And the ones who asked questions are curious and courageous, a good mix. 󾌵 #RakeshAnandBakshi

#ChowguleConversations

Annalise Benjamin Aarati Joshi Archa Sankow and other wonderful students. Love.

About Directors' Diaries:
The directors’ on Cinema & Filmmaking: https://www.youtube.com/watch?v=R8bnPI95HCs
The directors’ Beginnings: https://www.youtube.com/watch?v=lgbvst-mhOw
The directors’ Convictions: https://www.youtube.com/watch?v=uQgoJwP1sd8
The directors’ Challenges: https://youtu.be/1BmjGGurM5U
Imtiaz Ali’s 1st film being his film school & our book: https://www.youtube.com/watch?v=fzC18coaoLw
Zoya Akhtar on being a 1st time film maker: https://www.youtube.com/watch?v=dsdg8UNfwKs
Shyam Benegal on 'Why directors’: https://youtu.be/3-u3GRgkt8E




Tuesday, August 23, 2016

Lord I am doing all I can to be better man - Hrishi Kay shares his journey with #DirectorsDiaries

Radio Hosts’ Diaries with Hrishi Kay @ Radio One.
In conversation with #DirectorsDiaries


I was introduced to Hrishi Kay (Hrishikesh Kannan) when I was featured by him for our book Directors’ Diaries in August 2015. (Thanks to M J Arvind, Harper Collins India & Mirabilis Inc. Link to our radio chat: https://www.youtube.com/watch?v=NT9d70UMC8I )


Of course, I had heard his radio rants on and off on my short distance journeys within Mumbai. But now knowing more about his journey I was pleasantly surprised in the past he has hosted shows on current & classic Hindi film music too.


A river begins someplace
Hrishi Kay was born in Delhi, but spent his childhood years in Kolkata and Lucknow. During his formative years and teens Hrishi lived in Kolkata (schooled in Kolkata till the seventh grade), then Lucknow (studied in Lucknow from the eighth to twelfth grade), and did his graduation in Delhi, and his post-graduation in Bombay at XIC ( Xaviers Institute Of Communicaion) St Xaviers College in the "Film, TV & Radio Production" course.


Within the first five to six minutes of meeting Hrishi for the first time in Aug 2015, at his studio, I found him to be someone who could gel quickly with his guest who is a stranger. It may be because he had lived and studied at various cities for two decades he was able to bridge the distance between himself and strangers easily, having to begin writing on another fresh slate of friendship every time the family migrated due to his father’s job-related postings.


His maternal grandfather was a lawyer, and his father an Engineer with L & T. No one in his family was from the media. Hrishi’s earliest memories of music are the Tv shows Mahabharat and Ramayan. As they would be playing when he woke up in the morning. He began hearing radio in earnest when he got a job in radio broadcasting.


Crazy passion
Music was a crazy passion through his school and college years. However, he was not passionate about radio until he got his first job as a radio presenter. Before that it was just theatre, and music on cassettes and Cds. He was a music collecting connoisseur. Strangely, for me, radio became a part of his daily existence only on becoming a producer and radio host, and that was while he was still in college.


An angel
During his college years in Delhi, Hrishi was winning ‘best actor’ best debater’ awards at college festival. In 1993, Times Of India bought a few hours of radio time on AIR frequency and branded it as Times FM. A couple of guys from his college auditioned for Times FM and returned praising their experience and the opportunity to host shows on radio and earn Rs 500 per programme (“a king’s ransom in those days” he said) Hrishi responded questioning, “But, who hears radio nowadays?!”


He had often heard his mother praise legendary presenter Ameen Sayani, but he was never attracted to hear radio passionately until then. That’s when, I think an angel, Roshan Abbas suggested to Hrishi to have a go at it, the audition – “Boss, why don’t you go and give it a shot? You are doing theatre, you are passionate about English music, jaa ke try toh karo yaar.”
When Roshan Abbas had suggested this, Hrishi was already doing professional theatre in Delhi, and Roshan was familiar with his performing arts talent.


“Thank you Roshan Abbas” is what many of Hrishi’s listeners and I would like to say on learning this fact. I think, Roshan saw in Hrishi what he (Hrishi) had not as yet seen in himself then. :)


Love at first sight
“The moment I did a mock link (recording/audio byte) at the Times FM studio in Delhi, in the first ten minutes I felt, ‘Wow! This Is It! I love this.’ I am passionate about music, I am passionate about acting. This combines the two brilliantly!” It arrived naturally to Hrishi, speaking on a mic extempore, a script he wrote then and there within a few minutes before he was asked to perform the voice test. And he got a show! Hrishi’s very first job, in radio, with Times FM was as a producer cum radio host, and he even got paid too. No ‘jao chai lao’ wala internship. ;) And he was still in college.


I asked Hrishi to dedicate a song to Roshan Abbas… Hrishi named: ‘Aint Got You’ by Bruce Springsteen, because Roshan Abbas would play this to his acoustic guitar during their theatre days together.


Dial-in love
Hrishi’s first job with Times FM Delhi was presenting a dial-in show (Amul Chocolates Dial-in Love), he conversed with listeners-callers about their love problems, expressions, heart aches. (Hahahah Ya, I laughed at it too! He was just 17-18 then!) Of course, they understood that he (Hrishi) was not a qualified professional to offer solutions, so he would not offer them advice, but rather engage them in a brief conversation and give them perspective.
So true, I thought, hearing Hrishi. Often, getting another perspective is just what we really need, not advice.


“The content of my very first show helped me mature at a young age. My mind grew faster than my years. Such a beautiful learning it was to be. (Pauses) Those two years gave me fantastic opportunity to experiment with various formats. Even though we were small fish in a large tank of broadcasters.” (Smiles)


Shifting channels
Then came his shift to Mumbai, for a post grad degree and along with it luckily a shift from Times FM Delhi to Times FM Mumbai – The Mumbai team at the time were happy to have a young achiever from their Northern station, So, 1995 - 1997 Hrishi was with Times FM Mumbai.


However, the government changed its policy and the slots, hours, leased out to private players by AIR was withdrawn, and there the opportunity for radio presenters shrunk to people leaving radio for other unrelated and related professions. Hrishi could not see the light at the end of the tunnel, yet he chose to stick around and continued to host shows now with AIR. The love of presenting music kept him rooted in radio, even when others saw only silence.


Hrishi continued to study for his post-graduation while he worked with AIR in a part-time capacity. He was not as yet seeing radio as a ‘career’ choice. He was just liking the opportunity to share music via a large platform like radio, impact people through music, I would like to think.


Rain
I mean, how many people can you share your joys with when you experience such joys hearing songs playing them only on your headphones or phone? Because in our showers only we get wet and we dance alone. But when it rains from the clouds, Earth erupts in dance. That is what makes radio so benevolent, I believe. Its reach. The reach of its melodious rain.


As luck would have it
Graduating in Economics had not brought his happiness. Although he had even wanted to study English Literature, he decided to post-graduate in media. Even though for his family choosing media as a career then was alien and not cool. His father worried his son will become a ‘wasted-soul’. In recording jargon, a NG take. ;)


“Could not blame them. In those days, other than Ameen Sayani Sir (@ AIR) there were no other known presenters. My parents allowed me to pursue media only because I wanted to educate myself in that field. It made them feel more secure, as that’s the way they did things as traditional Tam-brahms (Tamil-Brahmins)
So I applied to Jamia, Indian Institute of Mass Com and XIC. I got into XIC. And as luck would have it, my father got transferred to Bombay, in 1995, and I could join XIC.
By then my dad had reconciled to the fact I will study media, and he advised me - Whatever you choose to do you must excel in it! (Pauses) I topped my class at XIC.” (Smiles)


I think Radio Host Hrishi further honoured his dad’s wish on the path he continues to tread today, with a live mic as his companion and dawn and dusk as melody. Ranting away, impacting souls, days and nights. ‘Impacting lives’ is a subconscious need Hrishi has felt his programing must fulfil right from his earliest days with radio.


I was keen Hrishi dedicate a song on Radio One to is Dad, who instilled in him the virtue & habit to excel. Hrishi named: ‘Father to Son’ by Phil Collins.


Win-Win
In 2000, while Hrishi was studying at XIC, Times of India established their private radio channel in Mumbai branded as Radio Mirchi. The smallest and a first-time player in the Indian airwaves then, Gautam Radia (Win 94.6) who had previously run radio stations in Sri Lanka, offered Hrishi to join him in Mumbai. Gautam had been listening to Hrishi in the years he had been ranting on AIR Mumbai and he had had liked Hrishi’s presentations.


Hrishi agreed, in spite of the fact that large players like Radio City and Radio Mirchi had also invited him to associate with them. “I chose to go with the smallest player because Gautam had a vision I could associate with. While the giants spoke of scale, license fees, and numbers, which are also important, Gautam’s vision emphasized more on content and impacting listeners. He had a tremendous vigour and passion for music.” Virtues that resonate in Hrishi. Even today.


Gautam and Hrishi presented a hybrid format on radio, never done before: English and Hindi music playing alternately. “…. which is a Fantastic! Format. Purely music driven content.” he adds. (Smiles) Unfortunately, Win 94.6 could not survive. “But we still have Win 94.6 reunions. We all get nostalgic, Gautam, Malishka, Malini, etc. Gautam is currently running Hits FM in Delhi.” (Smiles).


I asked Hrishi to dedicate a song to Gautam Radia and their years together at Win 94.6 FM. Hrishi chose: ‘Young Hearts’ by Rod Stewart.


Mother
Hrishi was a lover of the Hindi classics too. Thanks to his mother’s radio listening habits, I would like to think. His mother’s music choice must have contributed largely to the vast ocean of music that Hrishi charts daily on his various produced shows, and not just those he hosts.


This was yet another interview which reaffirmed my conviction, that life is one adventure with many heroes. So many people to thank for where we reach today.


Bumper to Bumper
Hrishi’s first full-fledged Hindi film music show was with Radio Mirchi, Bumper To Bumper playing and talking about current Bollywood hits. And I recollected it in a flash, because sometimes his show too saved my mind from going numb in Mumbai’s jams. Radio has often helped me reach home leaving my inanities behind. ;) :)
Thank you to music. The Earth has musicality. If you listen, and if you listen to the music that makes radio presenters tick too.


Sporty guy
This was followed by a stint in Sports Radio on India’s only sports talk radio channel on the World Space Satellite Radio Network, a station called ‘Play’ where Hrishi hosted a daily morning show ‘Cutting Edge Sports Broadcasting from Hrishi.’


Tryst with the classics
Then arrived the tryst with Hindi classics, the ‘Sunday Morning Classics’ giving Hindi music a fresh appeal with not only the golden oldies but the youngsters tuning in too.


The Radio Hosts’ companion – the Mic
Says Hrishi “I always tell people who aspire to be radio hosts, your voice must sound natural, warm & friendly, conversational, when you are heard through the mic. Unless you are selling a brand via a voice over. A listener hearing us speak on the radio must feel he or she happens to be eavesdropping on our conversation. That was the beauty of Ameen Sayani Saab’s voice. Sounded conversational. And we did not have sophisticated mics then.


Another thing about Ameen Sayani Saab, he introduced his shows with “Beheno aur Bhaiyon” (Sisters & Brothers) Not with Bhaiyon aur Beheno” My dream is to be a radio presenter like him, converse with my audience beyond 70 years of age. Even if I run my own radio station someday, I will still speak directly to listeners. I never want to not be able to know them and hear them through on-air music and conversations. Continue to impact lives in a small way. I will then die a peaceful man.”


A gig with those he admires
If we were to propose a show that brings together him and radio presenters from various channels on one platform, what would Hrishi title the show and who would he like to share such a unique (never done before content) show with? I asked him. Hrishi pondered, and said “Jeeturaj, Malishka, Rohini, Archana, and Mr Ameen Sayani. Ameen Saab would be there to guide the show.” (Smiles) “And I would name the show Kal Aaj Aur Kal.” (Laughs)


I asked Hrishi Kay to dedicate a song to these five radio presenters. He named: ‘Radio Gaga’ by Queen.


My radio pals
And that made me want to dedicate a song to my radio pals: my childhood radio companion Ameen Sayani Saab, my best-radio-buddy Arvind @ Radio One Kolkata, Filmy Chokri Apurva @ Radio City Pune, Tadke wali Nilofer Abji & ‘Kamaal’ ki Kaur @ East FM Nairobi & their true artist pal Ritesh Barot, the best job in the world wala Riyaaz Safi @ EastWave Johannesburg, and Poetess Priyam Sharma @ Radio Zindagi USA.


I love the show Arvind presents where he shares ordinary people’s extra ordinary deeds and his inspiring expressions with us, inspiring and entertaining us which is a significant, delicate and fine balance that even Hrishi Kay believes in. It’s my dream to be interviewed by Arvind someday at his studio for #BicycleAngels and I will ride to his studio that day with him. Will Hrishi Kay play this song on air which I dedicate to my radio pals?: https://www.youtube.com/watch?v=RsjiSfAmEeo The answer my friend, is blowin in the wind, the answer is blowin in the wind. :)


Radio One Tag line
Radio one has no tag line, for whatever reason. I asked him to give it one right there and then.


Hrishi pondered and said, “Maybe, Jagte Raho, or Jagate Raho” And that is when something he had said earlier returned sprinting to me: ‘For me it is very important that radio should not just entertain. And our programming hopes to achieve that. Cracking gags is important too. But at the end of the day your choices must have a positive impact on your listener’s lives. People message me during and after my show and tell me they were having a really bad day and something said on our show or the song we chose to play changed that.”


Defining radio
When I was child and teen, I heard radio nearly every night. I could not sleep without a pillow resting below and my radio singing besides. In the 70s and 80s, I swear on my radio many hot songs that played on Binaca Geetmala and others were my fathers. So, that was another reason. Hearing ‘daddy’s’ name from a stranger whose name (Ameen Sayani) and voice only I was familiar with coming from a box with lights was mysterious and fascinating. That is what radio meant to me as a child and teen.


I was keen to know what radio means to Hrishi Kay, the Radio Host of Radio One. “Radio is the theatre of the mind” Hrishi said that even before I placed the question mark at the end of my sentence. I have never heard a more vivid and beautiful description ever. It would do injustice to your imagination and dreams if I asked him to elaborate on that. It would be like asking someone to translate his or her poetry.


Radio One song request
I asked Hrishi which song he would like to hear right now, within the next two seconds if I called Radio One and they were playing live requests, and why?
He instantly said, “Ordinary World, by Duran Duran. (https://www.youtube.com/watch?v=dDLiVwpv89s) It appeals to me because you must live in the present. The past and future we have no control over. And often, the present is ordinary. Yet we must find beauty in that. I myself continue attempting to find beauty in my daily and ordinary existence.”


Directors’ Diaries
Talking of living in the present, and presently we are on my blog, and knowing Hrishi has read our book, so I was keen he share with us what he thought of our book.
Hrishi said “Rakesh, your book gave me the feeling I am eavesdropping into the personal and professional lives, experiences, learnings and opinions and suggestions of iconic filmmakers. Told me that you respected the time these filmmakers gave you, even if it were to have been just 15 minutes on and off during their busy schedules.“ (Smiles)
I too smiled, upon hearing a mind that I value value the work of these directors and my attempt to share their journey with others, just like radio presenters do.


Epilogue song
Long after his mic goes silent, when all that remains are the impacts his presentations and productions had in human consciousness and our environment, which song would he want played for himself, if we were to request one of his favorite radio presenters’ to play a song for him on a special day when his close friends and family have gathered around a radio set? What would he want his epilogue song to be?


Hrishi pondered. “Rakesh. No one has ever asked me this question.” He again went silent for a while. Then said, in a softer tone, “Better Man by Robbie Williams. The lyrics are … "Lord I am doing all I can to be a better man.” (https://www.youtube.com/watch?v=gY2ekm_krNU )
Then we both went silent.


Hearing the lyrics ‘Lord I am doing all I can to be a better man’, I felt, looking at him gazing in the distance at the sea in front of us, that I can tell someone someday, “Hey, you know I eavesdropped on Hrishikesh Kannan’s soul.” :)


#RJsDiaries #RadioHostsDiaries with #HrishiKay


Letters want to be words. Words want to be stories. Stories want to be told. #RakeshAnandBakshi


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https://www.linkedin.com/in/rakesh-anand-bakshi-0453b437?trk=nav_responsive_tab_profile


About our book:


#DirectorsDiaries https://www.facebook.com/DirectorsDiaries and https://www.facebook.com/DirectorsDiaries




The directors’ on Cinema & Filmmaking: https://www.youtube.com/watch?v=R8bnPI95HCs




The directors’ Beginnings: https://www.youtube.com/watch?v=lgbvst-mhOw




The directors’ Convictions: https://www.youtube.com/watch?v=uQgoJwP1sd8




The directors’ Challenges: https://youtu.be/1BmjGGurM5U




Imtiaz Ali’s 1st film being his film school & our book: https://www.youtube.com/watch?v=fzC18coaoLw




Zoya Akhtar on being a 1st time film maker: https://www.youtube.com/watch?v=dsdg8UNfwKs




Shyam Benegal on ‘… Why directors’..’ : https://youtu.be/3-u3GRgkt8E



Thursday, August 18, 2016

Casting Directors’ Diaries with Honey Trehan In conversation with #DirectorsDiaries

Casting Directors’ Diaries with Honey Trehan
In conversation with #DirectorsDiaries


When I decided to feature Casting Directors’ on my blog, Honey was the first I approached. He responded with affection and enthusiasm. He was a complete stranger to me.


Except, he had read our book. So maybe I was not a stranger to him. :) In my humble opinion, Honey is not just a casting director or a director / producer. He is a creative person. What can being ‘creative’ mean, other than what Wikipedia, Google and I and you may have to say it does? Well, Honey offered me his insight.


The first time Honey arrived at the horizon of my experiences, was during Omkara (2006) and Kaminey (2009). I was pleasantly surprised to see some unusual actors cast in some really great roles. By unusual I do not mean ‘not popular’. And by ‘great’ roles I do not mean roles that have great length.
Because even a small candle can provide us a warm enough light. Casting writer-director Amol Gupte in Kaminey for a negative role, took me by absolute surprise. Moreover, because of this unusual casting, I could not predict how Amol’s character would behave during the screenplay’s progression.


Lately, in Udta Punjab (2016), in a large segment of the casting I experienced the same feeling. Later, when I met him and we spoke about how he generally casts, he mentioned that by breaking the mould or by casting brand new and or usual actors (also by going against their established image of that actor) the director can lead the audience deeper into the world of the story.
Honey tends to cast unusual people for primary as well as secondary characters. I think such decisions help make the story more believable. A goal few directors and their team are able to achieve.


Btw, if I may add here, a cliché term we often use to address secondary characters is ‘Character artists’. As though, protagonists do not play characters! :) This was brought to my notice by a brilliant actor, Vipin Sharma whom I had featured earlier on our blog.
Anyways, over to Honey now. :)


A river begins someplace
Honey Trehan is born and brought up in the heart of Punjab, Tarn Taran. (Tarn Taran Sahib was founded by the Fifth Sikh Guru, Shri Guru Arjan Dev He laid the foundation of Sri Tarn Taran Sahib Temple. Tarn Taran Sahib was part of the Bhangi Sikh Dynasty.)


Honey’s family moved to Allahabad when he was in the seventh grade. Both these cultures had a significant impact on him, Both his parents are not in theatre or films; his mother is a teacher and principal and his father had a small sized business. His parents never discouraged him from watching movies on TV and films in cinema halls, so, in a way they too are responsible for Honey’s eventual journey to films.


Fascination
Honey’s earliest memory of being fascinated by cinema, was when he was 5-6 years young. TV had just arrived at their house, and the moving & talking images captivated him. He clearly remembers watching a Punjabi film, Kartar Singh Sarabha, made on a Sikh revolutionary.
Curious where do these moving & taking/singing figures on the TV screen come from, his vivid imagination made him certain they must be entering his Tv set from the back. (Laughs, remembering this.) So, he would often peep behind the TV set to see when and how exactly do all these people and things get inside?


He reflects, ‘I think, after that experience I must have never thought of doing anything else in life on growing older, other than being a part of the film world. Even though I was clueless then what my dream (of belonging in films) really means. Later, I did not know what I really want to do in theatre or films. I just liked this world. (Thinks) Nothing else but cinema/the film-world has fascinated me endlessly, ever since I was six I think.” (Grins)


The seed
Honey joined a theatre workshop when he was in college. It was being conducted by a visiting faculty from NSD, National School of Drama, Delhi. Honey missed nearly 15 days of the three weeks workshop, but the tutor, Vageesh Singh Sir, was welcoming and encouraging.
After a few days of attending the workshop, mostly just listening and interacting with Sir and co-students, he thinks Vageesh Sir must have felt he (Honey) has good talent for theatre. Because he randomly advised Honey, “You are wasting your time in Allahabad. Come to Delhi, if you want to do theatre seriously. Delhi has far more opportunities. Call me if you come and need any help.”


I thought, Vageesh Sir was a visionary. To see spark in an amateur within less than a week of interacting with him during a workshop where he (Honey) had been largely ‘just a listener.’ Vageesh Sir was the first one to nurture his fascination for the performing arts.


Barry
After his higher secondary, encouraged by his parents Honey immediately took up the offer made to him by Vageesh Sir in Allahabad, and he travelled to Delhi to meet him. Vageesh Sir took Honey under his wings immediately. He introduced Honey to Barry John. (http://www.bjas.in/) This intended encounter was to become the next significant stage in Honey’s walk towards his childhood fascination - the film world.


In Delhi, Honey worked with Barry Sir, writer actor Piyush Mishra, as well as with his own theatre group, Aarambh Theatre Group (ATG) for nearly two years. Extensively as actor, writer, production designer, production manager, tea boy, prop guy. Anything that needed done for the show to be staged and performed Honey did it!


“Even while at it, I was never conscious of the fact that I was actually writing and ‘directing’ some of the plays. “Direction’ as a career choice, either in theatre or filmmaking, was not yet my conscious career choice. That was to happen later. I directed plays in Delhi simply because it came naturally to me. (Pauses) However, it was Barry Sir who first made me aware that what I had taken so naturally to is actually ‘direction’. He insisted I must pursue direction as a career. He would scold me to take his advise seriously. (Laughs) I have him to thank too.”


I think, the next significant person Honey encountered on his walk towards the film world is Music Composer & Writer Director Vishal Bhardwaj.


Ambition
“Films always fascinated me. Other than acting, I was ambitious to do everything else in this profession. In all humility, today I know quite a bit about all departments of filmmaking. I think, it’s because I have remained open to gaining experience in all its fields/departments. I began by becoming an assistant to Vishal ji on his debut film. But after Matru Ki Bijli Ka Mandola (2013), I began to feel I have reached a saturation point. It thought its time for me to stop assisting and make an attempt at my own film as director. However, even earlier to that Vishal ji was encouraging me. While we were shooting 7 Khoon Maaf (2011) he would tell me, ‘Honey, it’s now time for you to work on your own film as director.’
Post that, I worked as the second unit director in Abhishek Chaubey’s Dedh Ishkiya - 2014 (and Udta Punjab)
Having a second unit director helps reduce the number of shooting days, so naturally producers like that as it saves them money. (Smiles) Then Vishal ji offered Talvar (2015) to me as Creative Producer. I loved the script.” says Honey.


I thought then, it is so important that those we consider mentors, or who play significant roles in our early careers, encourage us to take baby steps towards our independence. Because their success at it becomes fuel for us. We may lack the confidence or experience to step over the ledge of a secure job and take the plunge. Often with no safety net awaiting us at the bottom of the drop. But no bird ever flew the skies and befriended the clouds without leaving the safety of her nest.


Admiration for creative people


Piyush Mishra, an ace theatre actor and writer, originally from Delhi, saw Honey’s very first professionally executed play, a musical called ‘Kafan’. He suggested (to Honey) that they collaborate on a play – Bertolt Brecht’s ‘The Life And Times Of Galileo’. “… it became Piyush Bhai’s comeback in theatre after a five years absence.” says Honey. He considered that a huge compliment, Piyush Mishra (who directed the play) asking Honey to work with him on making this play under his theatre group. “Piyush Bhai loved the energy of our group.” (Smiles)


I must say here, I could see Honey’s reverence for Piyush and others when he spoke about them. Whether it was actor Minto Bakshi from Delhi, or Mahesh Bhatt Saab, Ajay Kartik, Ranjit Kapoor, Vishal ji, Badr Saab (the poet from Meerut), Gulzar Sahab, and some others. He expressed great passion for good artists, good hearted people too, good content, good poetry, good novels, great authors, good directors. Genuine admiration for creative people, is a vein that runs deep in Honey, I thought in admiration of his own spirit to appreciate talent in others.


It reminded me of my own passionate-admiration for the film directors (twenty four in number) I had interviewed for over four years for our book Directors Diaries. I admired them with the same passion. This quality is necessary in this creative field, in my humble opinion, because the opposite person naturally will feed off your passion. Resulting in a good work together.


A very significant introduction
After having worked in the TV industry for a short period of a few months, with ace writer / director Ajay Kartik, Honey decided to return to Delhi and focus on theatre. However, he happened to be recommended by Piyush Mishra to Vishal Bhardwaj. Vishal ji was directing a film titled Barf (which eventually got shelved during pre-production), when he asked Honey to join him as an assistant director.
Because, Vishal ji was keen to hire an assistant who had experience in theatre. Vishal ji himself has had a long association with theatre, and was comfortable having assistants in his team that were familiar with the brotherhood & teamwork that is an intrinsic part of theatre production.


First film job
When Vishal ji began work on Makdee, which was to become his debut feature film, he asked Honey to assist him. On this film, and in his subsequent ones, Vishal ji gave Honey the job and credit title of Casting Director, apart from being his Chief / Associate Director on the film. This was probably the second time an assistant received a separate credit as Casting Director. The earliest known is director Tigmanshu Dhulia, who received the same on Shekar Kapur’s Bandit Queen.


Creativity
I asked Honey, how does he judge actors, how does he cast, what is he really looking for…?
Honey said, “I am not looking for their acting skills, nor their talent. The primary element I am looking for, and it’s a subconscious observation I am making, is their ‘creativity’. Is this person creative?”


I asked him to elaborate on what creativity means to him. It’s a subjective term.
Honey said, “Creativity is nearly impossible to define/describe. (Thinks) By creativity what I mean, is this person open? Open to feelings, to new and or different experiences. Is he or she a good listener? What else does he or she know, beyond acting skills, about the human condition, about the world we are all encompassed in? What kind of authors, books, movies, and diverse people has this person experienced, and is willing to be engaged by? It is important for me to know such things about the person I am casting. Because this profession, filmmaking, acting, direction, cinematography, etc are ‘people-skills’ professions. Beneath art, craft and technique we are simply human. So it’s about our interactions with various people. How well does this actor deal with people, is what I am looking for.


I think, one should be open to all the aspects of creativity. I consider acting, direction, music, writing are just a medium to express yourself, to execute your emotions. Don’t limit yourself. If one would be creative enough or open enough he/she will be an actor director writer, everything....


And it's very important to have a mentor/guru, who you don't need to ‘follow’ etc, rather someone in whom you can invest your faith, who you can trust, who you can seek at lows and your highs too ... who you trust will not leave you alone in spirit, one who can inspire you to ‘life’, to awareness. I'm glad I have one in Vishal ji... I mean it.”


Cast me
What kind of role would he cast me in, if I approached him for work as an actor?’ I asked Honey.
“I cannot say right away what role you would best fit in. I would not slot you, compartmentalise you in any way right away by simply looking at you. I would cast you if while reading a script (that I have to cast for) I come across a character and my instinct shouts out your name to me for that role. Because, I do not cast actors. I will cast a script’s characters in the actors, or non-actors, people I will come across.” Says Honey.


Satisfaction
“When there is a conflict between the director and my view of a casting suggested by my team and me, and the director gives in and agrees to go with our suggestion, there is great satisfaction when the audience appreciates what we cast together. Appreciation matters. It reaffirms your faith in your choices, and boosts your confidence.”


True, I thought. So much about the choices casting directors, and even directors, make is based purely on intuition and instinct. There are no formulas in this profession, no LUT/look up tables for casting a bundle of emotions - humans.


Marching ahead
Honey is presently casting for an international film by Majid Majidi, the Iranian filmmaker, to be shot in India. Apart from casting, Honey and his close friend writer/director Abhishek Chaubey have begun a film production company, MacGuffin Pictures, and produced Konkona Sen Sharma’s (twice National award winner as actor) debut as writer/director; A death In The Gunj has earned an official selection and a world premiere at TIFF (Toronto international film festival 2016) & an Asian premiere at Busan International Film Festival. "Now, while I continue to cast for films, we are simultaneously producing films too while I continue to work on my debut as director." Said Honey.


About Directors’ Diaries
“All the directors in the book have been a source of influence and inspiration for me, especially when I read about their journey, the challenges and adversities, that some of them survived to reach where they are today. And in a way, I get a glimpse of my own struggles in theirs. And somewhere down the line it gives me the courage to keep moving forward. Which is why I found the book to be immensely inspirational.” Says Honey.


As I walked away, I pondered on my chat with him. Honey is walking a path that has no U-turn, no forks. A One Way. His single minded passion - ‘I have always been fascinated by films ever since I was six.’ shines through. Ever seen bees at work, ferociously in a bee hive, making honey? That’s Honey Trehan at his creative best. I think I can say. :)


Honey Trehan’s Filmmography
http://www.imdb.com/name/nm1805444/


Thank you.


PS - (Honey, I am dam jealous! You met Majid Majidi! Please apply black tikka on yourself, kahin meri hi nazar na lag jaye. ;) Regards - Rakesh)


#CastingDirectorsDiaries with #HoneyTrehan


B&W Photo courtesy @ www.midday.com
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Letters want to be words. Words want to be stories. Stories want to be told. #RakeshAnandBakshi


https://www.linkedin.com/in/rakesh-anand-bakshi-0453b437?trk=nav_responsive_tab_profile


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The directors’ on Cinema & Filmmaking: https://www.youtube.com/watch?v=R8bnPI95HCs


The directors’ Beginnings: https://www.youtube.com/watch?v=lgbvst-mhOw


The directors’ Convictions: https://www.youtube.com/watch?v=uQgoJwP1sd8


The directors’ Challenges: https://youtu.be/1BmjGGurM5U


Imtiaz Ali’s 1st film being his film school & our book: https://www.youtube.com/watch?v=fzC18coaoLw


Zoya Akhtar on being a 1st time film maker: https://www.youtube.com/watch?v=dsdg8UNfwKs


Shyam Benegal on ‘… Why directors’..’ : https://youtu.be/3-u3GRgkt8E